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#BEST COMPUTER RECORDING INTERFACE FOR MAC HIGH SIERRA MANUAL#
#BEST COMPUTER RECORDING INTERFACE FOR MAC HIGH SIERRA PATCH#
#BEST COMPUTER RECORDING INTERFACE FOR MAC HIGH SIERRA PLUS#

Loop playback with waveform zoom and user-defined start/stop points.

#BEST COMPUTER RECORDING INTERFACE FOR MAC HIGH SIERRA MANUAL#

Flexible overdubbing and both manual and automatic punch-in/out.

Internal track bouncing and mixdown of multitrack to stereo.

Independent level, pan, and EQ for each track.

#BEST COMPUTER RECORDING INTERFACE FOR MAC HIGH SIERRA PATCH#

User editing of effects parameters, with 390 patch memories for storage.

More than 100 send-return and insert DSP effects, including amp/preamp models and mastering algorithms.

Headphone output with dedicated volume control.

+24 and +48V phantom power (6 channels).

1 Low-Z input for connection of passive electric guitar and bass.

Eight balanced mic/line/instrument-level inputs on XLR/TRS combo connectors.

Records mono and stereo WAV files (16 / 24-bit, 44.1 / 48 kHz sampling rates).

Records directly to SD and SDHC cards up to 32 GB for up to 100 track hours.

24-track playback, 8-track simultaneous recording.

You can even synchronize two R24s (or an R24 and an R16) via USB for 16 tracks of simultaneous recording and 48 (or 40) tracks of playback. When operating at a sampling frequency of 44.1kHz, input signal can be routed through the R24's onboard DSP effects.

Effects can be applied during recording and mixdown, or can be used for playback only.Ī USB port allows the R24 to send and receive digital data and to act as an 8-input/2-output interface for DAWs such as the included Cubase LE.

#BEST COMPUTER RECORDING INTERFACE FOR MAC HIGH SIERRA PLUS#

In addition, there are guitar amp, bass amp, and mic preamp models, as well as effects specially designed for use on vocals and stereo instruments such as electronic keyboards, plus mastering algorithms such as multi-band compression. Over 100 studio-quality DSP effects are provided, including insert effects such as equalization and dynamics processing as well as send-return effects such as reverb, delay, chorus, flanging, and phasing. There are also dual balanced ¼" TRS output jacks and a headphone output with a dedicated volume control. Phantom power of +24 or +48 volts can be applied to up to six inputs, allowing the use of external condenser microphones. All inputs can handle mic/line/instrument level signals, and Input 1 can also handle low impedance signals from passive electric guitars and basses. The R24 offers eight inputs on combo connectors that can accept either XLR or ¼" balanced or unbalanced cables.